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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221210T140000
DTEND;TZID=America/Halifax:20221210T160000
DTSTAMP:20230202T195238Z
CREATED:20221126T164857Z
LAST-MODIFIED:20230202T195238Z
UID:10007219-1670680800-1670688000@marxedproject.net
SUMMARY:From Austerity to Fascism: The Capital Order
DESCRIPTION:A video of this December 10\, 2022\, event is available on the MEP’s YouTube channel.\n\nClara E. Mattei presents The Capital Order\, in which she explores the intellectual origins of austerity to uncover its originating motives: the protection of capital – and indeed capitalism – in times of social upheaval from below. Drawing on newly uncovered archival material from Britain and Italy\, she offers a damning account of the rise of austerity – and of modern economics – at the levers of contemporary political power. Mattei reveals how the threat of working-class power in the years after World War I animated policies that elevated owners\, smothered workers\, and imposed a rigid economic hierarchy across societies. Where austerity “succeeded\,” relatively speaking\, was in their enrichment of ruling-class interests who accumulated power and capital at the expense of labor. Here is where the true value of austerity can be observed: its insulation of entrenched privilege and its elimination of all alternatives to capitalism. \nClara E. Mattei is assistant professor of economics at the New School for Social Research in New York City. She was a 2018-2019 member of the School of Social Sciences at the Institute for Advanced Studies.
URL:https://marxedproject.net/event/from-austerity-to-fascism-the-capital-order/
LOCATION:Recording available on YouTube
CATEGORIES:Accumulation of Capital,Anti-fascism,Austerity,Capital Studies,Capital vs. Labor,Class,Classes/Events,Crisis,England,Fascism,Globalization,Italian history,Neoliberal Authoritarianism,Political Economy,Seminars and Talks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201210T190000
DTEND;TZID=America/Halifax:20201210T210000
DTSTAMP:20201212T203438Z
CREATED:20200823T210138Z
LAST-MODIFIED:20201212T203438Z
UID:10006802-1607626800-1607634000@marxedproject.net
SUMMARY:Women Write Against Fascism
DESCRIPTION:Literary resistance during and after fascism being in command\nFive more weeks with\nSimone de Beauvoir\, Natalia Ginzburg\, Elfriede Jelinek and Anna Seghers\nReading and discussion with the Literature Studies Group of The MEP \nThe Blood Of Others • Simone de Beauvoir • 1945\nThe major theme of The Blood of Others is the relation between the free individual and ‘the historically unfolding world of brute facts and other men and women.’ Or as one of Beauvoir’s biographers puts it\, her ‘intention was to express the paradox of freedom experienced by an individual and the ways in which others\, perceived by the individual as objects\, were affected by his actions and decisions. Another theme of the novel\, though not unrelated to the first\, is the issue of resistance versus collaboration. Beauvoir makes it clear that to not actively resist fascism is to accept it. \nFamily Lexicon • Natalia Ginzburg • 1963\nFamily Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel\, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist\, I have felt impelled at once to destroy [it]\,” Ginzburg tells us at the start. “The places\, events\, and people are all real.” The family described is all anti-fascist. The years depicted in this novel are the years of the 30s and 40s\, taking place in Turino during the years of Mussolini’s fascism. \nWonderful Wonderful Times • Elfriede Jelinek • 1980\nThe novel follows a group of four Viennese teens during the 1950s as they violently engage with the previous generation’s Post-World War II legacy. The novel does not use traditional chapter demarcations and focuses largely on the internal thoughts of the characters. Through the portrayal of the Austrian family Witkowski\, the reader is able to see the relation between daily fascism with the family and an undigested Austrian National Socialist history. The patriarch\, a former Nazi\, makes up for his loss of power and one leg by terrorizing his family and abusing his wife. \nTransit • Anna Seghers • 1944\nTransit is an existential\, political\, literary thriller that explores the agonies of boredom\,the vitality of storytelling\, and the plight of the exile with extraordinary compassion and insight. The 27-year-old unnamed narrator has escaped from a Nazi concentration camp. Along the way to Marseilles\, he meets one of his friends\, Paul. Paul then asks the narrator to deliver a letter to a writer named Weidel in Paris. When the narrator goes to deliver the letter\, he finds out that Weidel has committed suicide. The narrator also finds that Weidel left behind a suitcase full of letters and an unfinished manuscript for a novel. \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Our fourth summer of noir is currently underway. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on border politics and labor organizing. \nDonations are sliding scale • No one turned away for inability to pay \nplease write to info@marxedproject to get zoom log-in number if you would like to attend but cannot afford to pay \n 
URL:https://marxedproject.net/event/women-write-against-fascism/2020-12-10/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Literary Studies,Multi-session Classes,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.net/wp-content/uploads/2020/08/2ndSiteWomenAgainst.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201203T190000
DTEND;TZID=America/Halifax:20201203T210000
DTSTAMP:20201212T203438Z
CREATED:20200823T210138Z
LAST-MODIFIED:20201212T203438Z
UID:10006801-1607022000-1607029200@marxedproject.net
SUMMARY:Women Write Against Fascism
DESCRIPTION:Literary resistance during and after fascism being in command\nFive more weeks with\nSimone de Beauvoir\, Natalia Ginzburg\, Elfriede Jelinek and Anna Seghers\nReading and discussion with the Literature Studies Group of The MEP \nThe Blood Of Others • Simone de Beauvoir • 1945\nThe major theme of The Blood of Others is the relation between the free individual and ‘the historically unfolding world of brute facts and other men and women.’ Or as one of Beauvoir’s biographers puts it\, her ‘intention was to express the paradox of freedom experienced by an individual and the ways in which others\, perceived by the individual as objects\, were affected by his actions and decisions. Another theme of the novel\, though not unrelated to the first\, is the issue of resistance versus collaboration. Beauvoir makes it clear that to not actively resist fascism is to accept it. \nFamily Lexicon • Natalia Ginzburg • 1963\nFamily Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel\, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist\, I have felt impelled at once to destroy [it]\,” Ginzburg tells us at the start. “The places\, events\, and people are all real.” The family described is all anti-fascist. The years depicted in this novel are the years of the 30s and 40s\, taking place in Turino during the years of Mussolini’s fascism. \nWonderful Wonderful Times • Elfriede Jelinek • 1980\nThe novel follows a group of four Viennese teens during the 1950s as they violently engage with the previous generation’s Post-World War II legacy. The novel does not use traditional chapter demarcations and focuses largely on the internal thoughts of the characters. Through the portrayal of the Austrian family Witkowski\, the reader is able to see the relation between daily fascism with the family and an undigested Austrian National Socialist history. The patriarch\, a former Nazi\, makes up for his loss of power and one leg by terrorizing his family and abusing his wife. \nTransit • Anna Seghers • 1944\nTransit is an existential\, political\, literary thriller that explores the agonies of boredom\,the vitality of storytelling\, and the plight of the exile with extraordinary compassion and insight. The 27-year-old unnamed narrator has escaped from a Nazi concentration camp. Along the way to Marseilles\, he meets one of his friends\, Paul. Paul then asks the narrator to deliver a letter to a writer named Weidel in Paris. When the narrator goes to deliver the letter\, he finds out that Weidel has committed suicide. The narrator also finds that Weidel left behind a suitcase full of letters and an unfinished manuscript for a novel. \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Our fourth summer of noir is currently underway. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on border politics and labor organizing. \nDonations are sliding scale • No one turned away for inability to pay \nplease write to info@marxedproject to get zoom log-in number if you would like to attend but cannot afford to pay \n 
URL:https://marxedproject.net/event/women-write-against-fascism/2020-12-03/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Literary Studies,Multi-session Classes,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.net/wp-content/uploads/2020/08/2ndSiteWomenAgainst.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201119T190000
DTEND;TZID=America/Halifax:20201119T210000
DTSTAMP:20201212T203438Z
CREATED:20200823T210138Z
LAST-MODIFIED:20201212T203438Z
UID:10006800-1605812400-1605819600@marxedproject.net
SUMMARY:Women Write Against Fascism
DESCRIPTION:Literary resistance during and after fascism being in command\nFive more weeks with\nSimone de Beauvoir\, Natalia Ginzburg\, Elfriede Jelinek and Anna Seghers\nReading and discussion with the Literature Studies Group of The MEP \nThe Blood Of Others • Simone de Beauvoir • 1945\nThe major theme of The Blood of Others is the relation between the free individual and ‘the historically unfolding world of brute facts and other men and women.’ Or as one of Beauvoir’s biographers puts it\, her ‘intention was to express the paradox of freedom experienced by an individual and the ways in which others\, perceived by the individual as objects\, were affected by his actions and decisions. Another theme of the novel\, though not unrelated to the first\, is the issue of resistance versus collaboration. Beauvoir makes it clear that to not actively resist fascism is to accept it. \nFamily Lexicon • Natalia Ginzburg • 1963\nFamily Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel\, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist\, I have felt impelled at once to destroy [it]\,” Ginzburg tells us at the start. “The places\, events\, and people are all real.” The family described is all anti-fascist. The years depicted in this novel are the years of the 30s and 40s\, taking place in Turino during the years of Mussolini’s fascism. \nWonderful Wonderful Times • Elfriede Jelinek • 1980\nThe novel follows a group of four Viennese teens during the 1950s as they violently engage with the previous generation’s Post-World War II legacy. The novel does not use traditional chapter demarcations and focuses largely on the internal thoughts of the characters. Through the portrayal of the Austrian family Witkowski\, the reader is able to see the relation between daily fascism with the family and an undigested Austrian National Socialist history. The patriarch\, a former Nazi\, makes up for his loss of power and one leg by terrorizing his family and abusing his wife. \nTransit • Anna Seghers • 1944\nTransit is an existential\, political\, literary thriller that explores the agonies of boredom\,the vitality of storytelling\, and the plight of the exile with extraordinary compassion and insight. The 27-year-old unnamed narrator has escaped from a Nazi concentration camp. Along the way to Marseilles\, he meets one of his friends\, Paul. Paul then asks the narrator to deliver a letter to a writer named Weidel in Paris. When the narrator goes to deliver the letter\, he finds out that Weidel has committed suicide. The narrator also finds that Weidel left behind a suitcase full of letters and an unfinished manuscript for a novel. \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Our fourth summer of noir is currently underway. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on border politics and labor organizing. \nDonations are sliding scale • No one turned away for inability to pay \nplease write to info@marxedproject to get zoom log-in number if you would like to attend but cannot afford to pay \n 
URL:https://marxedproject.net/event/women-write-against-fascism/2020-11-19/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Literary Studies,Multi-session Classes,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.net/wp-content/uploads/2020/08/2ndSiteWomenAgainst.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201112T190000
DTEND;TZID=America/Halifax:20201112T210000
DTSTAMP:20201212T203438Z
CREATED:20200823T210138Z
LAST-MODIFIED:20201212T203438Z
UID:10006799-1605207600-1605214800@marxedproject.net
SUMMARY:Women Write Against Fascism
DESCRIPTION:Literary resistance during and after fascism being in command\nFive more weeks with\nSimone de Beauvoir\, Natalia Ginzburg\, Elfriede Jelinek and Anna Seghers\nReading and discussion with the Literature Studies Group of The MEP \nThe Blood Of Others • Simone de Beauvoir • 1945\nThe major theme of The Blood of Others is the relation between the free individual and ‘the historically unfolding world of brute facts and other men and women.’ Or as one of Beauvoir’s biographers puts it\, her ‘intention was to express the paradox of freedom experienced by an individual and the ways in which others\, perceived by the individual as objects\, were affected by his actions and decisions. Another theme of the novel\, though not unrelated to the first\, is the issue of resistance versus collaboration. Beauvoir makes it clear that to not actively resist fascism is to accept it. \nFamily Lexicon • Natalia Ginzburg • 1963\nFamily Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel\, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist\, I have felt impelled at once to destroy [it]\,” Ginzburg tells us at the start. “The places\, events\, and people are all real.” The family described is all anti-fascist. The years depicted in this novel are the years of the 30s and 40s\, taking place in Turino during the years of Mussolini’s fascism. \nWonderful Wonderful Times • Elfriede Jelinek • 1980\nThe novel follows a group of four Viennese teens during the 1950s as they violently engage with the previous generation’s Post-World War II legacy. The novel does not use traditional chapter demarcations and focuses largely on the internal thoughts of the characters. Through the portrayal of the Austrian family Witkowski\, the reader is able to see the relation between daily fascism with the family and an undigested Austrian National Socialist history. The patriarch\, a former Nazi\, makes up for his loss of power and one leg by terrorizing his family and abusing his wife. \nTransit • Anna Seghers • 1944\nTransit is an existential\, political\, literary thriller that explores the agonies of boredom\,the vitality of storytelling\, and the plight of the exile with extraordinary compassion and insight. The 27-year-old unnamed narrator has escaped from a Nazi concentration camp. Along the way to Marseilles\, he meets one of his friends\, Paul. Paul then asks the narrator to deliver a letter to a writer named Weidel in Paris. When the narrator goes to deliver the letter\, he finds out that Weidel has committed suicide. The narrator also finds that Weidel left behind a suitcase full of letters and an unfinished manuscript for a novel. \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Our fourth summer of noir is currently underway. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on border politics and labor organizing. \nDonations are sliding scale • No one turned away for inability to pay \nplease write to info@marxedproject to get zoom log-in number if you would like to attend but cannot afford to pay \n 
URL:https://marxedproject.net/event/women-write-against-fascism/2020-11-12/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Literary Studies,Multi-session Classes,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.net/wp-content/uploads/2020/08/2ndSiteWomenAgainst.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201105T190000
DTEND;TZID=America/Halifax:20201105T210000
DTSTAMP:20201212T203438Z
CREATED:20200823T210138Z
LAST-MODIFIED:20201212T203438Z
UID:10006798-1604602800-1604610000@marxedproject.net
SUMMARY:Women Write Against Fascism
DESCRIPTION:Literary resistance during and after fascism being in command\nFive more weeks with\nSimone de Beauvoir\, Natalia Ginzburg\, Elfriede Jelinek and Anna Seghers\nReading and discussion with the Literature Studies Group of The MEP \nThe Blood Of Others • Simone de Beauvoir • 1945\nThe major theme of The Blood of Others is the relation between the free individual and ‘the historically unfolding world of brute facts and other men and women.’ Or as one of Beauvoir’s biographers puts it\, her ‘intention was to express the paradox of freedom experienced by an individual and the ways in which others\, perceived by the individual as objects\, were affected by his actions and decisions. Another theme of the novel\, though not unrelated to the first\, is the issue of resistance versus collaboration. Beauvoir makes it clear that to not actively resist fascism is to accept it. \nFamily Lexicon • Natalia Ginzburg • 1963\nFamily Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel\, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist\, I have felt impelled at once to destroy [it]\,” Ginzburg tells us at the start. “The places\, events\, and people are all real.” The family described is all anti-fascist. The years depicted in this novel are the years of the 30s and 40s\, taking place in Turino during the years of Mussolini’s fascism. \nWonderful Wonderful Times • Elfriede Jelinek • 1980\nThe novel follows a group of four Viennese teens during the 1950s as they violently engage with the previous generation’s Post-World War II legacy. The novel does not use traditional chapter demarcations and focuses largely on the internal thoughts of the characters. Through the portrayal of the Austrian family Witkowski\, the reader is able to see the relation between daily fascism with the family and an undigested Austrian National Socialist history. The patriarch\, a former Nazi\, makes up for his loss of power and one leg by terrorizing his family and abusing his wife. \nTransit • Anna Seghers • 1944\nTransit is an existential\, political\, literary thriller that explores the agonies of boredom\,the vitality of storytelling\, and the plight of the exile with extraordinary compassion and insight. The 27-year-old unnamed narrator has escaped from a Nazi concentration camp. Along the way to Marseilles\, he meets one of his friends\, Paul. Paul then asks the narrator to deliver a letter to a writer named Weidel in Paris. When the narrator goes to deliver the letter\, he finds out that Weidel has committed suicide. The narrator also finds that Weidel left behind a suitcase full of letters and an unfinished manuscript for a novel. \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Our fourth summer of noir is currently underway. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on border politics and labor organizing. \nDonations are sliding scale • No one turned away for inability to pay \nplease write to info@marxedproject to get zoom log-in number if you would like to attend but cannot afford to pay \n 
URL:https://marxedproject.net/event/women-write-against-fascism/2020-11-05/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Literary Studies,Multi-session Classes,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.net/wp-content/uploads/2020/08/2ndSiteWomenAgainst.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201029T190000
DTEND;TZID=America/Halifax:20201029T210000
DTSTAMP:20201212T203438Z
CREATED:20200823T210138Z
LAST-MODIFIED:20201212T203438Z
UID:10006797-1603998000-1604005200@marxedproject.net
SUMMARY:Women Write Against Fascism
DESCRIPTION:Literary resistance during and after fascism being in command\nFive more weeks with\nSimone de Beauvoir\, Natalia Ginzburg\, Elfriede Jelinek and Anna Seghers\nReading and discussion with the Literature Studies Group of The MEP \nThe Blood Of Others • Simone de Beauvoir • 1945\nThe major theme of The Blood of Others is the relation between the free individual and ‘the historically unfolding world of brute facts and other men and women.’ Or as one of Beauvoir’s biographers puts it\, her ‘intention was to express the paradox of freedom experienced by an individual and the ways in which others\, perceived by the individual as objects\, were affected by his actions and decisions. Another theme of the novel\, though not unrelated to the first\, is the issue of resistance versus collaboration. Beauvoir makes it clear that to not actively resist fascism is to accept it. \nFamily Lexicon • Natalia Ginzburg • 1963\nFamily Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel\, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist\, I have felt impelled at once to destroy [it]\,” Ginzburg tells us at the start. “The places\, events\, and people are all real.” The family described is all anti-fascist. The years depicted in this novel are the years of the 30s and 40s\, taking place in Turino during the years of Mussolini’s fascism. \nWonderful Wonderful Times • Elfriede Jelinek • 1980\nThe novel follows a group of four Viennese teens during the 1950s as they violently engage with the previous generation’s Post-World War II legacy. The novel does not use traditional chapter demarcations and focuses largely on the internal thoughts of the characters. Through the portrayal of the Austrian family Witkowski\, the reader is able to see the relation between daily fascism with the family and an undigested Austrian National Socialist history. The patriarch\, a former Nazi\, makes up for his loss of power and one leg by terrorizing his family and abusing his wife. \nTransit • Anna Seghers • 1944\nTransit is an existential\, political\, literary thriller that explores the agonies of boredom\,the vitality of storytelling\, and the plight of the exile with extraordinary compassion and insight. The 27-year-old unnamed narrator has escaped from a Nazi concentration camp. Along the way to Marseilles\, he meets one of his friends\, Paul. Paul then asks the narrator to deliver a letter to a writer named Weidel in Paris. When the narrator goes to deliver the letter\, he finds out that Weidel has committed suicide. The narrator also finds that Weidel left behind a suitcase full of letters and an unfinished manuscript for a novel. \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Our fourth summer of noir is currently underway. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on border politics and labor organizing. \nDonations are sliding scale • No one turned away for inability to pay \nplease write to info@marxedproject to get zoom log-in number if you would like to attend but cannot afford to pay \n 
URL:https://marxedproject.net/event/women-write-against-fascism/2020-10-29/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Literary Studies,Multi-session Classes,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.net/wp-content/uploads/2020/08/2ndSiteWomenAgainst.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170524T193000
DTEND;TZID=America/Halifax:20170524T213000
DTSTAMP:20170404T023633Z
CREATED:20170129T050652Z
LAST-MODIFIED:20170404T023633Z
UID:10006136-1495654200-1495661400@marxedproject.net
SUMMARY:Fascism: Then and Now
DESCRIPTION:Fascism Then and Now: A Community Roundtable \nFriends of the MEP and the Left community at large are invited to discuss the meaning and signficance of fascism and how to recognize it and struggle against it in world politics today. We hope to debate questions such as: What is the nature of fascism in relation to nationalism/racism\, misogyny\, social/community dissolution? Is or is not the Trump phenomenon an example or at least a precursor of fascism in the USA? Are there important political movements in other countries that could be called fascist? Is the social psychology of fascism the same today as it was in the 20th century? Are theAre there other forms of authoritarian capitalism that are not fascism\, and why might it matter? Current facilitators are Peter Bratsis\, Michael Pelias\, Dan Karan\, Alex Steinberg\, David Worley (moderator).  \nOthers are welcome to join as facilitators; each facilitator will offer a three minute (no longer) opening statement\, after which the floor will be open for general discussion. \nThe image is from a deck of anti-fascist playing cards created during the Siege of Leningrad in 1943
URL:https://marxedproject.net/event/the-syriza-wave/
LOCATION:Brooklyn Commons\, 388 Atlantic Avenue\, Brooklyn
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.net/wp-content/uploads/2017/01/LongDeckAnti-fascist.jpg
GEO:40.6869154;-73.9855868
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Brooklyn Commons 388 Atlantic Avenue Brooklyn;X-APPLE-RADIUS=500;X-TITLE=388 Atlantic Avenue:geo:-73.9855868,40.6869154
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END:VCALENDAR